Friday, April 30, 2010
4th Dallas International Book Fair
Short Story Participants:
Sloan Anderson – “The Power of Five”
Barbara Blanks – “Wither, Thou Goest”
Linda Burden – “The Dutiful Wife”
Donald Card – “The Nativity of the First Dragon”
Mei – Wan Chang – “Os Is My Name”
Lori Rader Day – “The Calamities”
Ronnie Edwards – “The One and Only”
Melanie Forbes-Scott – “The Winds of Change”
Shirley Franklin – “A Day of Fun”
Shirley Franklin – “A Bestowal of His Grace”
Barbara Graettinger – “Toots and the One Legged Rooster”
Aaron Graham – “Loosing Sanity”
Ken Grigg – “Breakfast of Biscuits and Gravy”
Maureen Jones – “A Summer Job”
LeonĂ¡ – “I Just Didn’t Know”
Tonya Lewis – “Love Lost”
Mary Scarborough – “It Writes Itself”
Rebeca Shidlofsky – “The Piano”
Mamatha Vaddi Sparks – “The Palestinian Dishwasher”
Kena Sosa – “Citizen Arrest”
Marilyn Stacy – “Mark Twain's Words Live On”
Edward Stone – “Appointment”
Edward Stone – “Claim Jumper”
Paul J. Verheyden – “Live to Fight Another Day”
Troy D Young – “A Killing Wind”
LINK
Catch 22
"They're trying to kill me," Yossarian told him calmly.
"No one's trying to kill you," Clevinger cried.
"Then why are they shooting at me?" Yossarian asked.
"They're shooting at everyone," Clevinger answered. "They're trying to kill everyone."
"And what difference does that make?"
Yossarian explains to his friend Clevinger why he is not crazy for thinking people are trying to kill him, Chapter 2: Clevinger.
There was only one catch and that was Catch-22, which specified that a concern for one's own safety in the face of dangers that were real and immediate was the process of a rational mind. Orr was crazy and could be grounded. All he had to do was ask; and as soon as he did, he would no longer be crazy and would have to fly more missions. Orr would be crazy to fly more missions and sane if he didn't, but if he was sane he had to fly them. If he flew them he was crazy and didn't have to; but if he didn't want to he was sane and had to. Yossarian was moved very deeply by the absolute simplicity of this clause of Catch-22 and let out a respectful whistle.
"That's some catch, that catch-22," he observed.
"It's the best there is," Doc Daneeka agreed.
Doc Daneeka explains why he cannot ground Yossarian or Orr due to insanity, Chapter 5: Chief White Halfoat.
"Catch-22...says you've always got to do what your commanding officer tells you to."
"But Twenty-seventh Air Force says I can go home with forty missions."
"But they don't say you have to go home. And regulations do say you have to obey every order. That's the catch. Even if the colonel were disobeying a Twenty-seventh Air Force order by making you fly more missions, you'd still have to fly them, or you'd be guilty of disobeying an order of his. And then the Twenty-seventh Air Force Headquarters would really jump on you."
Doc Daneeka reveals another clause of Catch-22 to Yossarian, Chapter 6: Hungry Joe.
Some men are born mediocre, some men achieve mediocrity, and some men have mediocrity thrust upon them.
Of Major Major, with whom it had been all three. Chapter 9: Major Major Major Major.
With a little ingenuity and vision, he had made it all but impossible for anyone in the squadron to talk to him, which was just fine with everyone, he noticed, since no one wanted to talk to him anyway.
Of Major Major. Chapter 9: Major Major Major Major.
Major Major never sees anyone in his office while he's in his office.
Sergeant Towser to Appleby. Chapter 10: Wintergreen.
Open your eyes, Clevinger. It doesn't make a damned bit of difference who wins the war to someone who's dead.
Yossarian, Chapter 12: Bologna.
It doesn't make sense. It isn't even good grammar. What the hell does it mean to disappear somebody?
Yossarian is told by Nurse Duckett that officials are planing to "disappear" Dunbar, Chapter 34: Thanksgiving.
Joseph Heller
Thursday, April 29, 2010
Three Minute Fiction Round Two Winner
For the second round of our contest, we asked you to send us original works of fiction that begin with this sentence: "The nurse left work at five o'clock." The winning story was "Last Seen" by Cathy Formusa of Port Townsend, Wash.
"The nurse left work at five o'clock." He sauntered his words at me like he was king of the street.
"How do you know, Pablo? Maybe you went cold — had a flash, you know, blacked out and when you woke up you thought it was five?" I was pushing him now, just to see how sure he was.
"I like her." He lowered his head humbly for a moment, then abruptly continued in a strength I hadn't ever seen or felt from him before. "She brings me coffee sometimes, at five o'clock. It was five o'clock when my angel in white brought me coffee. And she smiles at me, my coffee angel. No starbucko never done that for me, but my angel does at five o'clock, she left at five, and I saw her!" Pablo karate-chopped his right hand, slicing the air between us to make his point.
He smelled so ripe in the afternoon's August heat, I let it go. I handed him a few bucks and continued my search for her killer.
174 words.
Three Minute Fiction
This one didn't win anything!
Untitled
by Prairie Mary
Since I was back in town, we would have breakfast together, my ex- and I. Separate tables. It would be accidental. Or not. I’d been gone for five years, so I didn’t know whether he still ate there, but he was a creature of habit. And I a creature of guile.
I didn’t know what I hoped. I’d brought along a newspaper to pretend to be absorbed in it if there were someone with him, maybe someone who had spent the night. Actually, I suppose I was more curious than anything else. We hadn’t kept in touch and I sort of wondered how he’d coped, especially since he’d said he couldn’t go on without me. Obviously he must have, if he showed up. Since then I’d sometimes felt I couldn’t go on without HIM, his support and his warmth. I had to write myself a letter to remind myself how cold and harsh everything had gotten.
But then I’d dream of the studio and how the cat would sleep with us, her purring a kind of soundtrack. I knew it would end, of course. He was my first lover and much older than I, which is what I wanted because one of us had to know how to do things, isn’t that right? So I knew I’d move on and maybe he sort of knew that as well. He was so famous, so sought after by women, that I knew he could replace me easily.
The door was glass so I saw him as soon as he arrived and put his hand up to pull the handle. I recognized his old coat. Our eyes met and held. All the plans fell away. He did not smile. For a long moment he stood there, then turned away and hurried on down the sidewalk.
I could not decide whether to follow. When I opened the door, the burst of air made the pages of my abandoned newspaper turn.
326 words.
Link to the original blog.
Zoethrope Magazine Story Winner
The Third Law of Dialectics
by Ted Burton
The editors present the prizewinning story from the 2009 Zoetrope: All-Story Short Fiction Contest.
I am without question a most unremarkable man. My eyes are only slightly misaligned. If you were to look at my face you wouldn’t consciously notice an asymmetry, but neither would you pause to regard my features. If you were to witness me in the execution of a crime, you would misremember details. The descriptions you would provide of me would result in a composite of banalities.
I have never required much sleep; as early as my fourth year, I consistently awoke before my father. While he still snored under layers of cotton and down, I would open my eyes and wait. After my eyes accustomed themselves to the dark, I would lift myself away from the mattress and leave it slouching and bereft in a corner. I would step slowly across the slats of wood so that no splinters could bother the flesh of my bare feet. When I had taken a few steps, I would stop and pull my weight away from the floor in order to stand in the worn ruts of a chair’s lap. Leaning my hands on the surface of a small table, I would wait for dawn to illuminate the dented horizon of pine, and in the half-light I would imagine the existence of the woman my father claimed had been my mother. Maybe her lye-burnt fingers had traced the cracks in the table, or the hems of her homespun had brushed the legs of the chair. Once, while I was thinking these things, I heard an intake of breath behind me. As my father slid feet into boots, I turned and looked at him. He stood up and moved toward the door, stopping just at my left. I continued to look down. From the side of my vision I saw the flash of a flexed forearm, as if an intimate gesture had been stifled. My father tightened his throat and left the room. The cabin resumed its sighing, and the logs went back to unbuilding themselves into the dirt.
I learned very early how to be left alone. When posed with a question, I practiced catatonic silence; when given a command, I turned deliberately to comply. Unlike the children who raced to display their mediocrity to uninterested adults, I managed to attend school without much notice. Instead of asking questions directly I waited for others to offer information. From within the solitude of my supposed inferiority I was able to piece together a family history of contradictions. People discussed my mother all around me, used words as if I couldn’t hear: she was garrulous, shy, confident, promiscuous, possessed, desperate, cunning, self-effacing, saintly, beautiful, tepid, lonely, prurient, a witch. The gossips agreed only that toward the end of her life she could think of nothing but the story of a man named Moses, and that often she heard words whispered in her ears.
I learned to shoot a gun in order to examine the consequences of noise. When I was ten my father left me alone with his weapon, convinced of my respect for its metallic muscularity. My restraint in killing animals was motivated not by an interest in the preservation of their lives but by the discovery that death brings an end to reaction. I would fire shells into empty air and watch quail explode up and out into the hysterical bosom of the shotgun’s thunder. The clap of a single shot would echo above the rows of onion and wheat while scared birds traced a pattern of chaos.
I continued this practice until I was twelve, at which time my father brought home my schoolteacher as his new wife. Previously, the woman had attempted to persuade me to feign an interest in various subjects, and now that she considered me to be her son, she constructed displays of maternal affection. She had introduced herself to my father after months of casting concerned glances over the parts of the pew upon which the faithful rest their elbows. She installed herself in our home. She observed me with a heavy concentration.
I began at this point to consider the benefits of nocturnal amusements. After a time I moved my mattress into the larger of the cabin’s two rooms as if in consideration of the privacy of the new couple. This gesture was accepted without complaint, although for a few weeks I noticed that my father’s wife would rise from her sleep to check on me. She always found me curled into the same quiet circle and decided soon enough that I required no nighttime supervision.
I began my business when the new moon reflected darkness over the valley. Wearing no shoes silently I crept away from the house and the sleeping couple. From the ocean of stars over my head there descended a luminescent fog with which to navigate the road. As I walked I stepped through the murmur of crickets and the hungry mourning of coyotes. I continued until I reached the first homestead on my path. The cracks of the cabin exhaled the warmth of the breeze. The door was latched but not locked.
I assumed that the owner of this place was wealthier than my father because no one slept in the common area. The embers in the stove resisted the dark, and a weak nudge of light reached a nearby shelf. A steel glint gathered up my attention. I picked up a pair of scissors. I opened a door and stepped noiselessly into the sound of breath pressing through a girl’s nose. I stood in the doorway for a time watching a cotton sheet rise and fall in unison with the workings of young lungs.
I stepped to the side of the bed. The girl’s face was turned away from my body. She blew breath over the intricate embroidery of her pillow. I held the scissors in my right hand. Careful not to touch the bed with my knee, I shifted my weight to the left foot, raising the right foot just off the floor. Lifting the sheet away from contact with the sleeping form I snipped a fist-sized circle from the thin material. I placed the scissors on the desk beside her, stuffed the bit of cloth into my pocket, and left the house.
I imagine it was the sound of the closing door that roused her. Within seconds the night was filled with her screams. I turned my head and saw the light of a lantern pass an open window and heard chairs overturn in the house. I jumped over wooden lines of fence and ran through a herd of bothered cows as bullets ripped the air around my head. The angry howl of curses behind me grew more distant. The thumping of the blood in my forehead matched the beat of bare feet on dry earth. Soon my legs finished running. I stashed the stolen bit of cloth in the rafters of the barn. I approached our cabin, slipped though the door, climbed into bed, pulled the covers around my shoulders, and slept.
I awoke the next morning before rooster song. I dressed myself for church and waited for a rustle to sound in the next room. After breakfast I climbed into the back of the wagon, and I sat with my back to my father while he clicked his tongue at the horse. My legs hung off the back of the cart, and I watched our farm disappear as the snorting animal pulled us toward the town. We rode on a wave of sloppy momentum and then slowed to stillness as the steeple bell tolled its last announcement.
I followed my father and his wife into the church’s sagging vestibule and into a cloud of words: indignity, unimaginable, violation. Small footprints had been discovered outside of a certain farmhouse. The parishioners posited the existence of a diminutive man with a deranged interest in young girls. Hadn’t he broken into a home in the middle of the night? Hadn’t he cut a hole in a sheet at the level of the breast? I resolved that the next hole I snipped would be from the foot of a man’s bed.
I waited for the passing of another month, for the sound of crickets to lull the valley to sleep, and once again I lifted myself from the mattress and stepped across an uncreaking cabin floor. This time I carried with me the scissors of my father’s wife. I heard the croaking of a bullfrog and followed the sound, which issued at once from both sides of the distance. I walked a midline barefoot through the corrugations of an onion field, inhaling the bitter, oily air. I saw the silhouette of a leaning shack. I approached an open window through which a man blew snores of whiskey. I climbed over the sill and hopped noiselessly to the floor, then stepped over a dog as wrinkled as the figure in the bed. I extracted the scissors and cut a rough octagonal shape from one side of the sheet, this time leaving a hole the size of my head. I stowed the scissors in my belt, pushed the cloth into my pocket, and left the house.
I amassed, by the time I was fourteen, a great fortune in bits of snipped sheets. They were of various sizes, patterns, and shapes: a fist-size flower print circle, a grimy octagon, and various complex geometrical figures for which I have no names. Although doors and windows were invariably locked, I was able to find a way to enter a home without waking its inhabitants. During these seasons the townspeople conducted business with a veiled hysteria. Three mayors were elected and recalled in two years. A collective insomnia ensued. The heavy eyes of sleep deprivation appeared. Since no man could be implicated in the trespassing, some began to consider the possibility of a supernatural occurrence.
I noticed that the accruing speculation concerned the holes left in the sheets after the snipping had occurred rather than the absent bits of cloth themselves. It was assumed that whoever was responsible for these acts was cutting cloth in search of some hidden thing. I lost interest in the idea of entering a home in order to make an open space in a previously intact plane; instead I decided to observe the collection of stolen scraps with a new attention. Early one morning I climbed to the ceiling of the barn and extracted the bits of cloth. I jumped to the ground and stirred up a circular moment of hay dust, an unhinged, toothless jaw that set back in retreat after reconsidering its decision to swallow my legs. I cleared a patch of floor with my feet. I sat down with the lantern and considered the pieces of fabric through a trellis of dusty light. I waited for an idea’s occurrence. After a time, I paced a trail to the cabin and returned along the same path. Using a needle and thread taken from my father’s wife, I began to sew the edges and corners of the bits of cloth together. Soon I had produced a quilt comprising both snipped remnants and empty space.
I ducked out of the barn and into the quiet of the dark morning. I followed the dirt road for a hundred yards until I arrived at a small growth of birch trees. I pulled the sewn object out of my jacket and hung this banner from a low-reaching tree. Its fissures yawned. The spaces accounted for as much area as the bits of cloth. For a time I watched the activity of the approaching morning through the assembled holes in this new plane. The cool of dusk burned into the flame of sunrise. The sun cast its beams onto my bare feet. The darkness coalesced into the initial stages of shadows as light and dark separated.
I returned home. From the porch I heard the reports of conversable metals and then the insistence of a stoked fire. I opened the door. I entered and sat down at the table. My father sipped coffee from a tin cup, and his wife fried eggs. No one spoke. We three sat in silence as a beam of sun migrated across the floor. After an hour we were startled into notice by the commotion of a dozen voices rushing past the road in front of the cabin. My father and his wife rose from their chairs, and I followed them onto the porch. We could see a crowd congregating around the birch grove. Streams of horses and human beings were approaching from both directions. Wagon wheels rolled across layers of dust. My father gestured to his wife. I followed them first down the steps and then down the road, and then we came to a crowded knot of kneeling people circling a tree and a thing that interested them. People pressed in, whispering in muted mumbles. Some were crying, some praying, some staring in open-mouthed silence. The crowd registered a recognition of the scraps of cloth. Someone approached us and pointed to the banner, asking if we could make out the holy image that had been sculpted out of cotton and space.
I noticed that the crowd was becoming denser, that a stillness was settling on bowed heads. The word miracle moved itself past the lips of those staring at the tree. Someone remarked the blessedness of the occasion. The people seemed to have forgotten the fear that the contemplation of bits of cotton had previously engendered. I wondered if all of those present were deciphering the same form in the puzzle of cloth or if the icon would be formalized later. I heard talk of conversion, which suggested to me that the image in the minds of the majority was the property of a single religion. A low mumble drummed the morning: grace, fruit, womb, holy, mother, sinners, death.
I looked at my father and his wife. He held her hand tightly. Neither seemed to be praying. The flag moved with the push of the breeze. A fat fly settled on a boot. A finger moved across two wet nostrils, and then the palm circled back to rest over open lips. Someone inhaled a triple skip of air. I turned away and walked along the road toward the cabin. My bare feet left an impression in the layer of dust.
2403 words
Ted Burton was born and raised in Weiser, Idaho. He is a graduate of the Divinity School at the University of Chicago and works as a hospice chaplain in California’s San Fernando Valley.
Wednesday, April 28, 2010
Three Minute Fiction Round One Winner
From NPR's contest — Our contest has a simple premise: Listeners send in original short stories that can be read in three minutes or less.
Round One Winner!
Molly Reid's 'Not That I Care' is the winner of the first round of our Three-Minute Fiction contest. Congratulations, Molly!
Not That I Care
by Molly Reid
There goes our neighbor, Jim, running into the street again. He grabs one of the ducks crossing. Doesn't even look to see if anyone is looking, just scampers out — hunched over, elbows bent and reaching behind him like he's trying to grow wings or is throwing himself to the asphalt — then scoops a duck and holds it with both hands close to his chest and runs back into his house.
This has been going on for two weeks; started around the time Marcus left, or at least that's when I first noticed it. The ducks always squawk like someone has just thrown a hundred bread crumbs into the lake, moving in frantic, dizzy eights around the stolen duck's absence. I don't think anyone sees him but me. The houses on our street keep the curtains closed. There's nothing ever to see on our street.
I sit at the window drinking pot after pot of weak black coffee, drumming my fingers on the windowsill and chewing off the extra tiny bits of skin inside my cheeks, pondering whether it's always a different group of ducks that cross our street, migrating from the man-made lake across town, or if Jim lets the snatched duck go some time later, and maybe the same group of ducks make the same trek every day, an afternoon waddle, forgetting about the dangers of this street. Or maybe the ducks and Jim have reached an understanding, a mutually-agreed-upon ritual.
When Marcus left, he left behind a pair of dirty socks, one hiding under the bed and one right in plain sight, curled into itself and getting smaller every day, like a sad little salted slug. I can't bring myself to touch them. I wonder if he left them on purpose, if they're supposed to communicate something, something about cheating and the things we discard, the state of our souls, the process by which galaxies implode.
Once Jim has gone inside with the duck, the other ducks remain in the middle of the street, going around and around each other accusingly, angry toddlers pacing in waddles. I think about moving them to safety. Not that any cars drive down our street. Not, anyway, like Marcus used to, speeding, snarled music, brakes wheezing, spitting rocks. I should at least run out and comfort the remaining ducks, tell them it's going to be ok, that sooner or later the sting of absence will lessen. One day those blue and green feathers, you won't remember them so soft.
Not that I know that for sure. Or that I know anything about feathers. Not that they could understand me, being ducks.
Or I could go next door, take that duck back, let him go, let them all go free. If it wasn't for the look on Jim's face, lips pressed together like he has a mouth full of jellybeans, like he's getting away with something — which I let him believe, which I understand the importance of. I keep watching. And every time he takes another duck, I get closer to thinking about moving away from the window.
515 words
To Kill A Mockingbird
Maycomb was an old town, but it was a tired old town when I first knew it. In rainy weather the streets turned to red slop; grass grew on sidewalks, the courthouse sagged in the square. Somehow, it was hotter then: a black dog suffered on a summer's day; bony mules hitched to Hoover carts flicked flies in the sweltering shade of the live oaks on the square. Men's stiff collars wilted by nine in the morning. Ladies bathed before noon, after their three-o'clock naps, and by nightfall were like soft teacakes with frostings of sweat and sweet talcum.
Scout (Jean Louise Finch) the narrator, Chapter 1.
The sixth grade seemed to please him from the beginning: he went through a brief Egyptian Period that baffled me - he tried to walk flat a great deal, sticking one arm in front of him and one in back of him, putting one foot behind the other. He declared Egyptians walked that way; I said if they did I didn't see how they got anything done, but Jem said they accomplished more than the Americans ever did, they invented toilet paper and perpetual embalming, and asked where would we be today if they hadn't? Atticus told me to delete the adjectives and I'd have the facts.
Scout, Chapter 7.
I was born good but had grown progressively worse every year.
Scout, Chapter 9.
When he gave us our air-rifles Atticus would'nt teach us to shoot. Uncle Jack instructed us in the rudiments thereof; he said Atticus wasn't interested in guns. Atticus said to Jem one day, "I'd rather you shoot at tin cans in the back yard, but I know you'll go after birds. Shoot all the bluejays you want, if you can hit 'em, but remember it's a sin to kill a mockingbird."
That was the only time I ever heard Atticus say it was a sin to do something, and I asked Miss Maudie about it.
"Your father's right," she said. "Mockingbirds don't do one thing but make music for us to enjoy. They don't eat up people's gardens, don't nest in corncribs, they don't do one thing but but sing their hearts out for us. That's why it's a sin to kill a mockingbird.
Scout, Miss Maudie, Chapter 10
I think there's just one kind of folks. Folks.
Scout, Chapter 23.
Neighbors bring food with death and flowers with sickness and little things in between. Boo was our neighbor. He gave us two soap dolls, a broken watch and chain, a pair of good-luck pennies, and our lives. But neighbors give in return. We never put back into the tree what we took out of it: we had given him nothing, and it made me sad.
Scout, Chapter 31.
Harper Lee
Tuesday, April 27, 2010
Timberglen Writers' Workshop
Once upon a long, long time ago (April, 2009), the Grand Poobah of Timberglenland decreed that there would be a writers' workshop, and that it would be open to all, and that it would be free. And the people arose and in unison said, "Hallelujah!" So it came to pass that on the 4th Thursday of each month, during the six-thirty o'clock hour, there would be a get together in the classroom of Timberglen. Those interested would share their writings and critique others'. And eat glazed donut holes.
In the beginning the dictum was that writers would read their works aloud before the group. Suddenly a case of mass larygitis swept through Timberglenland and our fearless leader edicted¹ that, "Henceforth all writings shall be read silently by the participants prior to our meetings." So it came to pass, leaving more time for eating glazed donut holes.
This blog is intended for fun, to provide a place for our participants to express their thoughts and ideas, and showcase the works of others. Hopefully someone interested in joining us will stumble across it.
LOCATION.
foot♫
¹not a real word
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Mapsco 4A/B,
Timberglen Writers' Workshop
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